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search ... menu home start here... photography all sorts… safety and assurance safety assurance genres (a - m) aerial airliners light fixed-wing aircraft helicopters hot-air balloons gliders microlights, hang gliders and paragliders tethered helium balloons helium blimps kites r/c helicopters r/c hot-air balloons telescopic masts rockets near-space photography photogrammetry safety and motion sickness architectural perspective control modern traditional ruins bridges composition context lighting patterns reflections art astrophotography astronomy digital cameras telescopes focus software close-up technique equipment lighting photomicrography creative the creative genre bokeh photography abstract conceptual essay essay basics narrative thematic montages collages image sequences time lapse photography event public private weddings industrial/commercial/advertising industrial commercial advertising model beauty fashion artistic nudes form and geometry swimwear boudoir glamour and erotic genres (n - z) nature wildlife photography birds insects underwater plant life reptiles mammals migrations photojournalism and documentary news sport feature documentary pictorial and landscape pictorial landscapes portraiture environmental studio unconventional work specialist pin-hole photography x-ray photography high-speed work 3d imaging audio visual extreme holography infrared monochrome panoramic still-life getting started typical subjects lighting travel the history of travel photography a basic approach practicalities dream and reality preparation, travel and arrival the holiday challenge themes and environments making it happen urban street and landscape street photography urban landscape work vernacular what is it? examples of vernacular photography everyday family photography mobile phone photography virtual reality how to... war image design and creation artistic aspects composition environment exposure perception reality and truth digital digital - general digital calibration and characterization digital image enhancement digital noise file formats and image compression pixels colour, light and optics colour colour temperature light filters optics publishing and presentation publishing traditional books print on demand e-books presentation exhibitions photographers' websites getting started content management systems search engines techniques cleaning low light flash photographing movement photoshop media darkroom films storage memory cards development books distinctions image evaluations inspiration qualifications techniques shop and tools society, info.... about ops the society the origins of the society the society and you the society's seal liability disclaimer privacy policy ops people society membership profiles list books by ops people submissions ops books ops exhibitions the ops news magazine the ops website polls site map copyright of website images terms and conditions of use donations shop all products image evaluations advertising ops books distinction fees print sales returns policy terms of service shopping cart calculators and utilities sun and moon calculators sun position calculator sun angle calculator with help blue hour calculator moon and sun position calculator moon exposure calculator lunar eclipse shutter speed calculator optical calculators lens focal length calculator dof calculator colour colour picker scientific calculators scientific calculator numerical calculators decimal to binary converter numbers converter distance calculators great circle distance calculator time world time global timezones clocks global timezones map temperature calculators temperature converter virtual reality panorama production calculator units converters distance converter decimal degrees calculator monitors characteristics internet file download time miscellaneous human reaction time test interval timer support and feedback contacts faq testimonials starting a photographic society model release forms photographers' rights (uk) introduction offences locations subjects special cases when stopped rights card the environment us tides and water levels uk tides global tides local weather forecast current moon phase world time zones global climate data sunrise and sunset global weather information trivia sudoku chess galleries pix, pix.... mainstream galleries digital manipulation fashion landscapes mobile phone galleries monochrome galleries portraiture sport studio galleries wedding portfolios specialist galleries birds body painting canyons churches close-ups colour infrared computer generated dragonflies historical galleries holography insects masks monochrome infrared reflections space swimwear the nude x-ray spherical panoramas ops exhibitions on-line exhibition 2008 print exhibition 2008 on-line exhibition 2009 on-line exhibition 2010 northern legacy exhibition on-line exhibition 2014 personal galleries distinction galleries fops frps abipp arps lrps people and places picture tales weddings plan... before a wedding finding a wedding photographer pre-requisites meeting the couple contracts planning the photography pre-wedding shots location and setting the wedding day hints and tips after a wedding post-wedding shots workflow presentation album design and layout archiving wedding galleries private images private albums public portfolios private functions distinctions recognition... introduction to distinctions getting started ops distinctions handbook distinction applications distinctions support assessment distinctions calendar distinction categories category descriptions the certificate of merit the licentiateship the associateship the fellowship terms and conditions successful panels ops front page 7 blue clipper butterfly, malaysia http://www.openphotographicsociety.org/images/front_page_images_7/_rhm4169.jpg black lemur, nosey be, madagascar http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5283test.jpg palm leaf, seychelles http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5350.jpg umbrellas, mauritius http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5204.jpg cirque de mafate, reunion http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5157.jpg ship in the desert, suez canal, egypt http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5498.jpg fredensborg palace, zealand, denmark http://www.openphotographicsociety.org/images/front_page_images_7/_rmb6002_edit.jpg al salam peace bridge, suez canal, egypt http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5512.jpg bruges, belgium http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5698.jpg frankincense tree, oman http://www.openphotographicsociety.org/images/front_page_images_7/_rmb5417.jpg the hermitage, st petersburg, russia http://www.openphotographicsociety.org/images/front_page_images_7/_rmb6412.jpg la boca, buenos aires, argentina http://www.openphotographicsociety.org/images/front_page_images_7/_rmb7847.jpg sibelius monument, helsinki, finland http://www.openphotographicsociety.org/images/front_page_images_7/_rmb6494.jpg copacabana beach from sugar loaf mountain, rio de janeiro, brazil http://www.openphotographicsociety.org/images/front_page_images_7/_rmb7954.jpg masked booby, cape horn http://www.openphotographicsociety.org/images/front_page_images_7/_rmb7422_edit.jpg nobel prize museum, stockholm, sweden http://www.openphotographicsociety.org/images/front_page_images_7/_rmb6188.jpg the metropolital cathedral, rio de janeiro, brazil http://www.openphotographicsociety.org/images/front_page_images_7/_rmb7940.jpg king penguins, bluff cove, falkland islands http://www.openphotographicsociety.org/images/front_page_images_7/_rmb7742_crop.jpg home truth in photography the presence or absence of truth in photography is, at very least, significant. at one level, the absence of truth does not matter in any way. we see what is printed on a piece of paper and have complete freedom to appreciate the aesthetic value of the image or dismiss it as unworthy. the subject matter may be completely irrelevant provided the viewer can take from the presence of the image some inspiration or pleasure. a particular print may prove calming or recall some past experience. in these circumstances is surely does not matter how the image was produced or whether it was assembled from a dozen other images. however, the situation may be quite the opposite when the use to which an image is put, or indeed the subject matter, is significantly different. if we see an image of a leopard with unusual spots, apparently taken in some remote african location, it may be vital to know whether it is an accurate representation of what the photographer encountered. anyone with a copy of photoshop can rearrange a leopard's spots, but the significance of the resulting image depends almost entirely upon whether the image is "genuine". otherwise the viewer can never know whether the image represents entertainment or the discovery of a new species of leopard. the decision certainly matters - at least to some people. truth in photography, at least at a basic level, is about whether a viewer can believe that an image represents what a photographer saw and experienced. in the case of a leopard with unusual spots it is vital to know whether we are being deceived by clever manipulation, or whether this new animal is really out there somewhere. why send an expedition to gather details of a newly-discovered species if the unusual spots were devised in photoshop ? when we dig a little deeper, truth is not so easy to define. a close-up of the unusual leopard might exclude environmental information and make it almost impossible to assess the size of the animal. a wider shot that included recognizable environmental details might render an assessment of the animal's size quite accurate. the best photographic societies, such as the uk's royal photographic society, are generally very good at distinguishing "genuine" shots from those, for instance, taken in a zoo. their experts also have very sharp eyes for details which may betray any subterfuge on the part of a photographer. simple techniques for emphasizing particular aspects of a subject are of course used all the time by photographers. a wedding photographer may routinely photograph a larger person from an angle that makes them appear slimmer, and an older woman may be photographed in softer light with relatively little contrast to reduce the prominence of wrinkles. a landscape photographer photographing a building high up on a cliff may deliberately exclude the level ground at the bottom to leave the viewer with the impression that the precipice continued below the bottom of the image. such techniques all represent a degree of deception and have been used for as long as photography has existed. so what is truth in photography? unfortunately it does not exist in the absolute sense but that does not mean that honest attempts to approach it have no purpose. it is probably true to say there is no 100% pure-white photographic truth, but there are countless very pale shades of grey on the scale between black and white. photographers must ultimately decide for themselves whether their work is appropriate for its purpose, and whether it is also sufficiently genuine to justify openly any techniques or manipulation used in its creation. ops distinctions - an introduction the society acknowledges photographic excellence with four awards - a certificate of merit and three formal distinctions. these are: the certificate of merit ; the licentiateship (lops) ; the associateship (aops) ; the fellowship (fops) - applicants must have previously been awarded an associate-level distinction by a recognized photographic institution. detailed information relating to each award may be found by following the above links, visiting the faq section , and also by reading the ops distinctions handbook . this handbook may be downloaded free of charge as a pdf file , or purchased as a printed booklet at a current price of £3.50 plus tax and delivery. a photographer who is awarded one of the society's distinctions may use the relevant letters (lops, aops or fops) after his or her name throughout life. no fees or subscriptions are payable. the award of a certificate of merit does not incorporate the right to use any letters after a successful candidate's name. note that an applicant must be under the age of 18 on the relevant date of assessment to make an application for a certificate of merit, and must also provide evidence of consent via the certificate of merit consent form . spherical panoramas no iframes have a look at our spherical panoramas gallery which now includes a great deal of new material. the panoramas were processed using the ptgui image stitching software and are presented using the ptgui player. click the four arrows symbol in the image to open the panorama full screen. the full gallery of spherical panoramas may be found in galleries/spherical panoramas menu. life in the shadows image copyright stephen robinson stephen robinson, a photographer based in zambia, has released an extraordinary on-line exhibition of documentary and photojournalism photography on the everyday lives of those living with albinism in africa. the modern-day social issue of living with albinism in africa is, today, probably much as it has been for centuries - an issue steeped in deep-rooted superstition and mythology. most media coverage of africans with albinism is centred on the news-grabbing extremes of their physical abuse, mutilation and even murder. such coverage makes little mention of the adversities they face every day - including stigma and extreme discrimination, isolation and exclusion, serious health and vision problems, and public ridicule. and all this every day, day-in, day-out. so this story is about the ordinary: the ordinary daily story of african people with albinism, a story that few of us know about. accompanying the photographs are the subjects’ own stories of their daily lives, in their own words - far more telling than anything the photographer could write. see full details of the exhibition . understanding colour spaces not sure if you understand the significance of the various colour spaces? can you honestly say that you are clear about the differences between adobe rgb (1998), srgb, apple rgb and wide-gamut rgb? well, colour is a complex matter and you could spend the rest of your life studying the science of the subject. in an effort to help, and with the assistance of bruce lindbloom , we have introduced a 3-d gamut viewer which displays a variety of commonly-used colour spaces. the viewer even allows you to compare two three-dimensional rgb working spaces by drawing one inside the other. the whole display can then be rotated in any direction, or zoomed in and out, to help you focus on those crucial areas of difference. at last it is possible to visualize clearly how switching, for example from adobe rgb (1998) to srgb, imposes significant changes upon your images. the 3-d rgb gamut viewer can be found here. select language english afrikaans albanian amharic arabic armenian azerbaijani basque belarusian bengali bosnian bulgarian catalan cebuano chichewa chinese (simplified) chinese (traditional) corsican croatian czech danish dutch esperanto estonian filipino finnish french frisian galician georgian german greek gujarati haitian creole hausa hawaiian hebrew hindi hmong hungarian icelandic igbo indonesian irish italian japanese javanese kannada kazakh khmer korean kurdish (kurmanji) kyrgyz lao latin latvian lithuanian macedonian malagasy malay malayalam maltese maori marathi mongolian myanmar (burmese) nepali norwegian pashto persian polish punjabi romanian samoan scottish gaelic serbian sesotho shona sindhi sinhala slovak slovenian somali spanish sudanese swahili swedish tajik tamil telugu thai turkish ukrainian urdu uzbek vietnamese welsh xhosa yiddish yoruba zulu information menu faq news glossary of terms locations photography quotes organizations history of photography links image copyright testimonials donations contacts sitemap please support ops amount: £ cad usd gbp aud jpy eur advertisements stephen robinson amazing panoramic images of zambia. east coast photography a new and vibrant wedding photography service - ipswich, suffolk, uk. david golding weddings contemporary wedding photography - buxton, derbyshire, uk. who's online we have 108 guests and no members online copyright notice: all photographs, images, concepts, designs, text and other materials herein are the copyright of the open photographic society (ops) or the relevant named photographer, organization or copyright owner, and may not be used, stored, reproduced or distributed in any way without the express written permission of the society or the relevant copyright owner. please direct all relevant enquiries to the society . all rights reserved. menu contacts privacy policy terms and conditions of use go to top

URL analysis for openphotographicsociety.com

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http://www.openphotographicsociety.com/galleries/specialist-galleries/swimwear
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Domain Name: OPENPHOTOGRAPHICSOCIETY.COM
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